Scaredy cat Thorne 2 Page 4

  They couldn't be one hundred per cent sure of course, that anyone had been following her. The station thing might yet prove to have been pure coincidence. The killer could have picked her up on the underground or on the walk home from Balham tube station.

  Somehow though, Thorne was pretty sure that this was where he'd first seen Carol Garner. Chosen her.

  He'd sat through that CCTY= footage a hundred times, scanning the faces of the people around her, as she and her son walked blithely towards the escalator. Men with briefcases, striding along and braying into mobile phones. Men with rucksacks, sauntering. Some meeting people or hurrying home, or hanging around for one of a hundred different reasons. Some who looked dangerous, and others who looked all but invisible. If you looked at them long enough you could see anything. Except what you needed to see.

  In the end, his eyes always drifted back to Carol and Charlie, hand in hand and deep in conversation. Charlie was laughing, clutching tightly to his book, the hood of his anorak up. Thorne always found something horribly poignant about these CCTV pictures; these utilitarian clips of people in public places. The figures seemed real enough, close enough, that you could reach out and help them, prevent what you knew was about to happen. The fact that you couldn't, the fact that this recent past would inevitably become a terrible future, served only to increase the sense of sheer helplessness. The fuzzy, jumpy quality of the film touched him in a way that no album of treasured photos or home-video ever could. The jerky footage of Jamie Bulger being led away through that shopping centre to his death; or ten-year-old Damilola Taylor, skipping along a concrete walkway, minutes away from bleeding to death in a piss-spattered stairwell on a Peckham estate; or even a Princess - and Thorne was no great fan - smiling and pushing open the back door of a Paris hotel. These pictures clutched at his guts, and squeezed, every single time. The images of the dead, just before death.

  Now, Carol and Charlie Garner strolling across a busy station concourse; relaxed and happy in a way that could only ever be captured on film when the subject was unaware they were being filmed at all. Unaware that they were being watched. By a camera, or by a killer. What should have been a ninety-minute train journey took closer to two hours, and nobody seemed hugely surprised. Thorne and McEvoy flicked through papers and chatted, and generally put the world to rights. The small talk was easy and enjoyable. It passed the time, and besides, each of them knew instinctively that they would not feel much like chatting on the return journey. They were still an hour from Birmingham, and McEvoy was on her way back from the solitary smoking carriage for the fourth or fifth time. She caught sight of Thorne, his head buried in the paper, as she weaved her way down the carriage and it struck her how, from a distance, he looked like somebody you would try and avoid sitting next to. Up close of course, once you'd been around him a while, there was a warmth in the eyes; something that drew you in, in spite of yourself. But at first glance, he was, to say the very least.., intimidating. As she sat back down and picked up her magazine, Thorne glanced up and gave her the look of the reformed smoker - jealous as hell, but trying to be disapproving. She wondered what their fellow travelers made of the pair of them. They were both dressed reasonably smartly: she in a blue wool coat and skirt, and Thorne in his ubiquitous black leather jacket. She was carrying a briefcase, but she seriously doubted that anyone would mistake them for business types. Not Thorne anyway. Her minder perhaps. Dodgy-looking elder brother, or even her dad, at a real push...

  'What's so funny?'

  She looked up. Still smiling. Maybe even her slightly older bit of rough. 'Nothing. Just an article in this magazine...'

  Robert and Mary Enright, Carol Garner's parents, lived a few miles south of Birmingham city centre, in Kings Heath, a ten-minute cab ride from New Street station. Theirs was a purpose-built, two bedroom house on a modern estate, a short walk from shops and buses. The sort of place that a couple in their early sixties might move to. A quiet place where people like them could relax and enjoy retirement, with little to worry about, now that their children were settled. Settled perhaps, but never safe.

  Mary Enright, whose world had so recently turned upside down, greeted them warmly and showed them into a small and unbearably hot living room. She was a short, contained woman. She produced tea almost instantly.

  'Robert won't be long. He's taken Charlie over to the park. There's a nice playground, you know, a roundabout and some swings, it's very popular actually. To tell you the truth, I think Robert gets more out of it than Charlie does at the moment. He needs to get out of the house, you know, breathe a bit. Things have been a bit tense to be honest...'

  McEvoy sipped her tea and nodded, full of understanding, or the appearance of it. Thorne looked around the stifling room, happy to let his sergeant keep the conversation going. Both just waiting to see the boy. Both dreading it.

  The few child's books and toys, arranged neatly next to the sofa, seemed horribly out of place among the ornaments, antimacassars and gardening books. The house smelt of beeswax and liniment. It wasn't a place where a child was at home yet. Thorne noticed that there were already a few Christmas cards on the bookshelf in the corner. Greetings from those who didn't know. He wondered whether the Enrights would celebrate anyway, for their grandson's sake. Grief often came down to going through the motions. And often, so did investigating the cause of it. Charlie Garner had already been interviewed. As per procedure this had been done by specially trained officers under strictly controlled conditions. The interviews had taken place at a house in Birmingham owned and maintained jointly by local social services and West Midlands police. It was a simple modern house much like any other, except for the fully equipped medical examination suite and state-of-the-art recording facilities.

  Charlie had been given toys to play with, and officers from the Child Protection Team had chatted to him while the entire process was monitored from an adjoining room. Thorne had watched recordings of all the interviews. Charlie had been a little shy at first, but once his trust had been won he'd become lively and talkative, about everything save what had happened to his mother...

  Thorne wasn't sure he could get anything out of the boy. He didn't know if there was anything to get. He was certain that he had to try.

  He was just summoning up the courage to ask if they might turn the radiator down a notch or two, when he heard the key in the front door. He and McEvoy stood up in unison and so quickly that Mary Enright looked quite alarmed for a moment.

  Robert Enright shook hands and said, 'pleased to meet you', but his watery blue eyes told a different story. In stark contrast to his wife, he was very tall and had clearly once been fit, but where she was spry and alert, he seemed merely to drift, hollowed out and vague.

  Death hit people differently. She was getting by. He had all but given up.

  He slumped on to the sofa while his wife scuttled off to make more tea. 'Charlie's gone up to his room I think. He'll be down in a minute.'

  His voice was deep and gentle, the heavy Brummie accent lending a weariness to it that it almost certainly didn't need. Thorne nodded. He had heard the thump thump of the boy's feet charging upstairs as soon as the front door had shut.

  'Good time in the park?'

  The old man shrugged. Stupid question. Fuck off out of my house, away from me and my family. 'It's starting to get cold...'

  Mary bustled in, handed her husband his tea and attempted to kill the time until Charlie arrived with aimless chatter. She talked to Thorne and McEvoy about their journey up and how difficult their work must be, and how her friend had a son who was a sergeant in Leicester, and how she knew all about the pressures of the job. Thorne thought: it doesn't get any more difficult than this. The old man leaned forward suddenly and fixed Thorne with a hard look. 'What are you going to ask him?' Serious, unblinking... Thorne turned to McEvoy, sensing that this would be better coming from her. This, indeed, was why he'd wanted her along. She picked up her cue. 'We don't necessarily need to ask him anything. We ju
st want to get an idea of what he remembers really. Has he talked about what happened at all?'

  'No.' Quickly.

  'Nothing at all? I mean he might have said something that just sounded like a joke, you know, or a--'

  'I said no.' Louder now, unashamedly aggressive. McEvoy's eyes flicked to Mary, asking for help if she knew how to give it. She picked up her husband's hand and placed it on her knee. She took her hand away and held it up for Thorne and McEvoy's inspection.

  'Bob worked in the Jewelry Quarter for forty years. He made this wedding ring in 1965. Made Carol's as well, four years ago. Sort of came out of retirement for it, didn't you?' She laughed and patted her husband's hand but he said nothing. 'See, we didn't have Carol until late.'

  Thorne looked at McEvoy. He knew what she was thinking and he knew that she was wrong. These were not ramblings. These were fragments of a shattered picture that Mary Enright was holding up to the light in desperation, in the hope that Thorne and McEvoy might understand the whole. Might grasp the enormity of it. Now, she just shook her head and said it simply. 'Bob's taken everything very badly you see. Worse than me, really, or differently at any rate. It's often the way, I think, when something happens and there's two of you. One just muddles along, you know, gets on with things, while the other...'

  Thorne could see them then. The old woman sitting in the corner of an overheated lounge, making jigsaws with her grandson or writing shopping lists, while her husband stands stooped in a back bedroom, shouting, his body racked with sobs.

  He stared at Robert Enright until the old man met his eye, then he spoke. 'I want to find the man who did this thing to you. To your daughter and to you. Charlie saw him. We're here to let him tell us anything he feels like telling us. That's all.'

  They all stiffened then, at the footfalls on the stairs. Thorne thought he saw Carol Garner's father nod, a second before the door flew open and her son ran into the room.

  The boy froze on seeing the strangers, and lowered his eyes. He began to inch across to the sofa from where Mary reached out a hand and pulled him to her. He was perhaps a little small for his age, with longish mousy hair and brown eyes. He was wearing denim dungarees over a red long-sleeved top and his hands were covered in what looked like blue felt-tip pen.

  'Some friends of ours have come to see you,' Marry said, her voice not much above a whisper. 'This is... ?' She looked across at McEvoy and Thorne, the question in her eyes.

  'Sarah,' McEvoy volunteered, leaning forward with a smile. She glanced at Thorne. 'And Tom.'

  Charlie looked up, appraising them. He rubbed his grandmother's hand across his cheek for a second or two, before dropping it and racing across to where his toys lay on the floor. He picked up a yellow plastic toolbox and emptied the contents on to the carpet. McEvoy was flying by the seat of her pants. This was not the same as counseling a rape victim or trying to calm a battered wife. She'd noticed the hushed, almost reverential tone that Mary Enright had used when speaking to the boy and felt instinctively that this was wrong. At least, it was wrong if they wanted to get any information out of him. She knew that she had to gain his trust.

  'Are you looking forward to Christmas, Charlie?' The boy picked up a thick, red plastic bolt and began pushing it through a hole in a tiny workbench.

  'I'm sure Father Christmas will bring you lots of nice things if you're a good boy.' He pushed the bolt further in, his face a picture of concentration. McEvoy moved from her chair and knelt down, a few feet away. 'It looks like you're a good boy to me.' She picked up the plastic screwdriver and examined it, as Charlie furtively examined her. She tried hard to keep any hint of seriousness out of her voice. 'What would be very good is if you could tell me and Tom a little bit about when your mummy got hurt...' She glanced up at the Enrights. Mary's eyes were already filling with tears. Her husband sat motionless, his eyes on the floor. Charlie Garner said nothing.

  'What you could do, if you wanted, is tell your Nan about it. Do you want to do that?'

  He didn't...

  McEvoy felt herself sweating and it was only partially due to the temperature. She was beginning to feel out of her depth. She started to say something but stopped. She could only watch helplessly as the boy stood up suddenly, marched past her and plonked himself down at Thorne's feet.

  Thorne gazed down at Charlie and shrugged. 'Hello ...' Charlie produced a small squeaky hammer and began vigorously banging on Thorne's shoe. It might have been nerves or it might have been because the moment was, in spite of everything, genuinely comical, but Thorne began to laugh. Then Charlie laughed too.

  'I hammer your shoe...'

  'Ow... ow... ouch!' Thorne winced in mock agony, and as the boy began to laugh even louder, he sensed that the moment might be right.

  'Do you remember the man who was there when your mummy got hurt?'

  The laughter didn't exactly stop dead, but the answer to Thorne's question was obvious. Charlie was still hammering on the shoe but it was purely reflexive. The intermittent squeak of the toy hammer was now the only sound in the room. Mary and Robert Enright sat stock still on the sofa, and Sarah McEvoy was all but holding her breath, afraid that the slightest movement could spoil everything. Thorne spoke slowly and seriously. He was not following a different tack to McEvoy for any particular reason. There was no strategy involved. Instinct just told him to ask the child the question, simply and honestly. Can you tell me what the man who hurt your mummy looked like?'

  A squeak, as the hammer hit the shoe. And another. Then the tiny shoulders gave a recognisable shrug. Thorne had seen the same gesture in a hundred stroppy teenagers. Scared, but fronting it out. Maybe I know something, but you get nothing easily.

  'Was he older than me do you think?' Charlie glanced up, but only for a second before returning to his hammering. 'Was his hair the same colour as yours or was it darker? What do you think?' There was no discernible reaction. Thorne knew that he was losing the boy. Hearing a sniff, Thorne looked up and could see that the old man on the sofa was quietly weeping, his big shoulders rising and falling as he pressed a handkerchief to his face. Thorne looked at the boy and winked conspiratorially, 'Was he taller than your Granddad? I bet you can remember that.'

  Charlie stopped hammering. Without looking up he shook his head slowly and emphatically. Thorne flicked his eyes to McEvoy. She raised her eyebrows back at him. They were thinking the same thing. If that 'no' was as definite as it looked, it certainly didn't tally with Margie Knight's description. Thorne wondered who was the more credible witness. The nosy working girl or the three-year-old?

  Eye witnesses had screwed him up before. So, probably neither... Whatever, as far as Charlie was concerned, it looked as though the shake of the head was all they were going to get. The hammering was growing increasingly enthusiastic.

  'You're good at hammering, Charlie,' Thorne said. Mary Enright spoke up from the sofa, she too sensing that the questions were over. 'It's Bob the Builder. He's mad on it. It's what he calls you sometimes, isn't it, Bob?' She turned to her husband, smiling. Robert Enright said nothing.

  McEvoy stood up, rubbing away the stiffness in the back of her legs from where she'd been kneeling. 'Yeah, my nephew's always going on about it. He's driving his mum and dad bonkers, singing the theme tune.'

  Mary stood up and began tidying things away, while Charlie carried on, the hammer now replaced by a bright orange screwdriver. 'I don't mind that,' Mary said. 'It's just on so early. Half past six in the morning, on one of those cable channels.'

  McEvoy breathed in sharply and nodded sympathetically. Thorne looked down and brushed his fingers against the boy's shoulder. 'Hey, think about your poor old Nan will you Charlie? Half past six? You should still be fast asleep...'

  And Charlie Garner looked up at him then, his eyes wide and keen, the bright orange screwdriver clutched tightly in his small fist.

  'My mummy's asleep.'

  In spite of all the horrors to come, the bodies both fresh and long dead, this would be the
image, simple and stark, that would be there long after this case was finished, whenever Thorne closed his eyes. The face of a child.

  It's been over a week now, Karen, and it's still on the television. I've stopped watching now, in case something comes on and catches me unawares when I'm unprepared for it. I knew that it would be on the news, you know, when they found her, but I thought it would die down... I thought it would stop, after a day or two. There always seems to be people dying in one way or another, so I didn't think that it would be news for very long. They've got some sort of witness they said. Whoever it was must have seen me because they know how tall I am. I know I should be worried, Karen, but I'm not. Part of me wishes they'd seen me up close. Seen my face. A police officer on the television said it was brutal. 'This brutal killing: He said I was brutal and I really tried so hard not to be. You believe that don't you, Karen? I didn't hit her or anything. I tried to make it quick and painless. I don't really expect them to say anything else though. Why should they? They don't know me...

  The other one, the one in south London, I can barely bring myself to think about that. It was horrible. Yes, that was brutal. The scratches are fading, but a couple of people at work noticed and it gave them something else to use against me. Not as if they needed any more ammunition. It was all nudges and giggles and, 'I bet she was a right goer' or, 'did she make a lot of noise?' You know, variations on that theme. I just smiled and blushed, same as I always do.

  Oh my God, Karen, if they only knew.

  Sometimes I think that perhaps I should just tell them everything. That way it would all be over, because someone would go to the police and I could just sit and wait for them to come and get me. Plus, it might at least make some of them think about me a bit differently. Find someone else to belittle. It would wipe a few smiles off a few faces wouldn't it? It would make them stop. Yes, I'd like them to step back and start to sweat a little. I'd like them to be scared of me.